The Peppercorns:
The Peppercorns is a band that plays heavy psychedelic rock music rooted in classic 70’s style, drawing inspiration from prog and art rock. The band is guitar heavy with experimental synth while still maintaining a pop sensibility. Fronted by Edog Wonderlogg II with Kangaroo Zhong and XianXX on guitar, Brain 2.0 on drums, Yan Von3000 on bass and Andrew the lone wolf on synth/violin.
飞椒乐队（The Peppercorns）成立于2016年初的北京，创作风格深受六七十年代前卫、艺术摇滚的影响，保持旋律性的同时，结构复杂多变，极具创新性。合成器，特雷门琴，与迷幻吉他音色的融合，赋予了飞椒乐队一种无法定义的神秘感。
乐队现场：
https://m.weibo.cn/status/4166818123726233?wm=3333_2001&from=singlemessage&isappinstalled=0
Backspace:
如同“Backspace”一词，这是一支充满数字化时代年轻人敏感气质的乐队。Motorik 式鼓点、紧凑而戏剧性的贝斯、大段吉他配合时而冲浪音乐般清亮婉转，时而凶兆显现般冥响嚎叫。充满随意性和挑衅性。
Like the word “Backspace,” This is a band filled with the sensitive temperament of young people in the digital age. Motorik-style drums, compact and dramatic bass, a large guitar, and sometimes surf music as clear as the sound of the ominous appearance of howling. Full of randomness and aggressiveness.
DJANG SAN:
Djang San, an artist who has released more than 40 albums since 2003, is now exploring electronic music and pushing the boundaries of electro-folk as a solo one man band.
Djang San has toured extensively in 2017 both solo and with his trio, two times in South Korea and one time in Japan where he has also released an album on CD that is available in stores across Japan.
He has also played several festivals and concerts in China in 2017 and released a quadruple album, a trio album and another solo album.
在音乐的道路上，张思安大部分时间独自前行，他曾以（几乎）每月出版一张专辑而闻名。2013年他组建了新的乐队。在这三人组合中，他与一名贝斯手和一名鼓手合作，同时将中国乐器“中阮”和“琵琶”置于乐队的中心地位。
他无疑大大革新了这一中国传统乐器的使用。乐队整体风格多样，像是带有中国风格的民谣，兼具摇滚、爵士、电子等其他乐风。张思安原名让-塞巴斯蒂安·艾利。他于2000年踏上中国的土地。2010年，他以“保险超人乐队”参加了中国摇滚大赛 并在中国大陆和香港地区赢得冠军。他一直在电子和实验音乐领域孜孜不倦地探索。他的音乐很难归类。他是第一个用中阮作曲的外国人，也是第一位使用这一乐器演奏爵士乐和摇滚乐 的音乐家。
好了，那么，什么是中阮？
阮，古代称秦琵琶、阮咸，现代称阮。弹弦乐器。中阮，就是次中音阮的简称。
张思安把这样一种大多数国人都没听说过的乐器玩出了花。2013 年，他发行了一张中阮合集。听着他操着一口还算流利的中文，缓缓弹着中国传统民族乐器，唱着简单朴实的中文歌词，真是一种神奇的体验。他还有许多有趣的个人项目，比如向 8-bit 致敬的《8 Bit Boy》，还有电琵琶实验专辑《试验电琵琶》。打开他的 BANDCAMP 主页，三十多张专辑让人眼花缭乱，在惊叹他的高产的同时，也惊异于他对于音乐可能性探索的执着和态度。
除了自己玩，他也参与了很多音乐项目。
他2006年 组建了“了不起的JSB!”乐队，进行世界音乐的探索。他们自称是地球上唯一一支“有着唱中文歌的法国主唱和巨大音乐包容性的乐队”。
他的摇滚乐队“保险超人”参加了中国摇滚大赛，并在大陆香港赢得冠军。
2013 年，他组建了一支新的乐队“张思安与乐队”（Djang San + Band），进行更广泛的音乐探索。这支乐队的风格很难被定义，它包含着车库、民谣、实验、爵士、电子、等等。
在去年发行的专辑《桥》的简介里，他说他们想通过音乐建立起一座连接文化界限的桥。这座桥超越了音乐风格的界限，让听众能在时间和空间中穿梭，从东方到西方，从过去到未来。这张专辑大概是最能体现他的音乐理念的一张.
张思安与乐队最近去了韩国和日本的音乐节演出，2017年5参加了韩国的
« Seoul Music Week » 并在日本出了一张 CD.
KO
Ko is the pseudonym of Kristin Newborn: vocalist, guitarist, and downright badass. From the age of 18, Kristin was classically trained by a religious cult performing arts group in LA. No foolin’. But as fucked up as that experience must have been, Kristin emerged victorious. A native of Indianapolis and Chicago by way of Los Angeles, Kristin first began writing under the name Ko in the spring of 2012, after the demise of her first group Slothpop. Shortly thereafter she enlisted Todd Heaton to play percussion for the live shows and later recordings. KO has had many different line ups since, playing as full band with many talented rotating musicians. Her solo shows are just as captivating as she loops guitar and vocals making a glorious, euphoric wall of sound.
The Loreli Flee Market !
Held on the 20 of January afternoon at Yue Space before the music kicks in, the Loreli Market is a great way to find out about Beijing based artists as well !
